Modest Mussorgsky: Tableaux d'une exposition: (Arr. Jean-Francois Monnard): Orchester

Breitkopf Urtext

KOMPONIST: Modest Mussorgsky
COMPOSER: Maurice Ravel
PRODUKTFORMAT: Studienpartitur
VERLAG: Breitkopf und Härtel
DEFINITIVE DURATION: 00:30:00
Ravel’s brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky’s masterpiece. When the French composer turned his attention to his Russian colleague’s piano cycle in 1922, he was at the height of his
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Spezifikationen
Komponist Modest Mussorgsky
Composer Maurice Ravel
Arrangeur Jean-Francois Monnard
Instrumentengruppe Orchester
Instrumentierung Orchester
Detaillierte Instrumentierung Orchester
PRODUKTFORMAT Studienpartitur
PRODUKTTYP Studienpartitur
Serie Breitkopf Urtext Edition
Verlag Breitkopf und Härtel
Genre Klassik
Definitive Duration 00:30:00
SEITENZAHL 136
ISMN 9790004215111
Verlagsnummer PB 5614-07
NR. BRKPB5614-07
Beschreibung
Ravel’s brilliant compositional interpretation of the Pictures at an Exhibition is, to this day, the most famous and independent orchestration of Mussorgsky’s masterpiece. When the French composer turned his attention to his Russian colleague’s piano cycle in 1922, he was at the height of his mastery and Paris was enraptured by Russian music. Notated with remarkable accuracy in an autograph score, Ravel’s orchestration was an audience favorite from the very start. Jean-François Monnard, who previously edited the Breitkopf Urtext editions of Boléro , La Valse and Rapsodie espagnole , presents a text in which even the tiniest detail is authentic. The edition not only eliminates many previously undiscovered errors, but also offers a wealth of practical information on the long and multi-faceted performance history of the work, including the metronome markings of great conductors who were connected to the work in a very special manner. Bibliography : Mayer , Stephan: Sonne für die Seele. Ein lehrreicher Nachmittag am Genfer See, in: Musikforum, 2015, Heft 4, pp. 32-35.
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