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John Pickering: The Drummer's Cookbook Volume 2: Schlagzeug

Gimme a Break: Trading Fours in the Real World

KOMPONIST: John Pickering
VERLAG: Mel Bay Publications
PRODUKTFORMAT: Studienbuch
ISBN: 9780786684328
If you want to learn the art of trading “fours”, The Drummer’s Cookbook Volume II will help you put it all together. This book takes you through the entire process, from developing a vocabulary to real world application. Today’sworking drummers are asked to play fills and fours at a variety of
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Details
Komponist John Pickering
Verlag Mel Bay Publications
Detaillierte Instrumentierung Schlagzeug
Instrumentengruppe Schlagzeug
PRODUKTFORMAT Studienbuch
PRODUKTTYP Buch
SEITENZAHL 136
Genre Pop und Rock
Stil Rock
ISBN 9780786684328
NR. MB22112
Beschreibung
If you want to learn the art of trading “fours”, The Drummer’s Cookbook Volume II will help you put it all together. This book takes you through the entire process, from developing a vocabulary to real world application. Today’sworking drummers are asked to play fills and fours at a variety of different tempos, each requiring a different vocabulary. The author breaks down the process into three general tempo zones: moderate, bright and extreme. Developyour own musical vocabulary by studying the tools of the trade: uneven note groups, rhythm fragments, implied tempo changes, ghost notes, quarter note triplets, and more. Then put it all together by learning the format for fours.Learn to think in phrases: three beat groups, call and response, and symmetric and asymmetric phrases. Study the standard 32 bar AABA jazz format and learn the how, why and when of trading fours. Finally, all these skills can bepracticed with several hundred two and four bar solos in each of the three tempo ranges.
Inhalt
  • 1. Part One
  • 2. Developing A Vocabulary - The Tools Of The Trade
  • 3. 1. Playing Inside The Comfort Zone - Tempo Specific Figures
  • 4. 2. Ghost Notes
  • 5. (a) Anchoring Figures At Fast Tempos
  • 6. (b) Ghost Note Counterpoint
  • 7. (c) Syncopating With Ghost Notes
  • 8. 3. Using The Cymbals As An Alternate Voice
  • 9. (a) Suspended Cymbals And The Pedaled High Hat
  • 10. (b) High Hat Barks
  • 11. 4. Quarter Note Triplets
  • 12. 5. Embellishments
  • 13. 6. Uneven Note Groups
  • 14. (a) Rhythmic Displacement - The Science of Syncopation
  • 15. (b) Three and Five Note Groups
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