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How to teach Whole-class instrumental lessons

50 Inspiring ideas

KOMPONIST: Kay Charlton
PRODUKTFORMAT: Unterrichtsmaterial Schulmusik
VERLAG: Collins Music
How to teach Whole-class instrumental lessons presents 50 diverse ideas for teachers of every instrument. The ideas are concise, easy to implement and tackle everything from repertoire, pedagogy and assessment to instrument maintenance, safeguarding and classroom management. Whether you’re new to
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Details
Komponist Kay Charlton
Instrumentengruppe Klassenmusizieren
Instrumentierung für Kinder zwischen 6 und 12 Jahren
Detaillierte Instrumentierung Klassenmusizieren
PRODUKTFORMAT Unterrichtsmaterial Schulmusik
PRODUKTTYP Buch
Serie How To Teach
Sprache Englisch
Verlag Collins Music
Genre Unterrichtsmaterial
ERSCHEINUNGSJAHR 2020
SEITENZAHL 64
ISBN 9780008412913
Verlagsnummer 9780008412913
NR. 9780008412913
Beschreibung
How to teach Whole-class instrumental lessons presents 50 diverse ideas for teachers of every instrument. The ideas are concise, easy to implement and tackle everything from repertoire, pedagogy and assessment to instrument maintenance, safeguarding and classroom management. Whether you’re new to teaching or a seasoned practitioner, this practical handbook offers fresh and varied ways to invigorate lessons with any group.
‘Instrumental music teachers should all have a copy of this book in their instrument cases! It provides a good range of activities, but also outlines the thinking behind them, and supports progression and development too. We have been waiting for a book like this, and this one certainly fits the bill and does so very well indeed.’ Professor Martin Fautley, Birmingham City University
‘This fantastic book is just what is needed for the inexperienced or aspiring whole class ensemble teacher, and will be a welcome addition for those with more experience as well. There is much sage advice, based on Kay’s many years of experience in teaching WCET and running education workshops and teacher training. Covering a wide range of important subjects, from setting up the space and preparing to play through to building a curriculum, planning a lesson and teaching creatively and musically, the writing is well grounded and up-to-date in its pedagogies and professional practices.’ Tim Palmer, Head of Music Education, Trinity Laban Conservatoire of Music and Dance
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