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Giovanni Battista Pergolesi: Il Flaminio: Orchester

2 Volume, edizione critica a cura di Ivano Bettin

KOMPONIST: Giovanni Battista Pergolesi
VERLAG: Ricordi
PRODUKTFORMAT: Partitur
ISBN: 9788881920655
Some few months after returning to Naples from Rome, where he had gone to follow the premiere of L’Olimpiade at the Teatro Tordinona during the 1735 carnival season, Giovanni Battista Pergolesi –– notwithstanding the quickened pace of the disease that would soon bring his brief life to a close —
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Details
Komponist Giovanni Battista Pergolesi
Herausgeber Ivano Bettin
Verlag Ricordi
ERSCHEINUNGSJAHR 2020
Detaillierte Instrumentierung Voices and Orchestra
Instrumentengruppe Orchester
PRODUKTFORMAT Partitur
PRODUKTTYP Partitur Gebunden
Serie UMPC Critical Editions
SEITENZAHL 563
Genre Oper/Operette
Language IT-ENG(UK)
Grade of Difficulty Band Grade 3
ISBN 9788881920655
ISMN 9790041419855
NR. NR 14198500
Sprache Englisch;Italienisch
Beschreibung
Some few months after returning to Naples from Rome, where he had gone to follow the premiere of L’Olimpiade at the Teatro Tordinona during the 1735 carnival season, Giovanni Battista Pergolesi –– notwithstanding the quickened pace of the disease that would soon bring his brief life to a close — presented the public with a new work, Il Flaminio, a “commedeja pe’ mmuseca” set to a libretto by Gennarantonio Federico. The opera was staged as the second of season that fall at the Teatro Nuovo sopra Toledo (one of three traditional venues, together with the Teatro dei Fiorentini and the Teatro della Pace, dedicated to the production of opere buffe), where it met with a generally favorable reception. The edition is based basically on the Pergolesi’s autograph full score, for the third act, (kept in Naple, Conservatorio di San Pietro a Majella Library) and on a complete manuscript full score copy today in the Abbazia di Montecassino Library. The critical edition is in two volumes and includes a historical Introduction, a detailed description of all the sources considered and a Commentary with critical notes and information related to specific problems of performance practice. There is also the facsimile reproduction of the printed libretto.
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