Franz Anton Hoffmeister: Kontrabasskonzert Nr. 1 D-dur: Orchester mit Solo
Einzelstimme | Noten
KOMPONIST:
Franz Anton Hoffmeister
PART {INSTRUMENT}:
Violin
PRODUKTFORMAT:
Einzelstimme
VERLAG:
Breitkopf und Härtel
DEFINITIVE DURATION:
00:18:00
MINIMUM ORDER QUANTITY SALES:
5
Thanks to its imaginative richness and sterling writing, Hoffmeister’s Double Bass Concerto "No. 1" has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias
Spezifikationen
Komponist | Franz Anton Hoffmeister |
Herausgeber | Tobias Glöckler |
Instrumentengruppe | Orchester |
Instrumentierung | Orchester mit Solo |
Detaillierte Instrumentierung | Contrabass and Orchestra |
Part {Instrument} | Violin |
PRODUKTFORMAT | Einzelstimme |
PRODUKTTYP | Einzelstimme |
Serie | Breitkopf Urtext Edition |
Verlag | Breitkopf und Härtel |
Genre | Klassik |
Definitive Duration | 00:18:00 |
SEITENZAHL | 8 |
Minimum Order Quantity Sales | 5 |
ISMN | 9790004339794 |
Verlagsnummer | OB 15114-16 |
NR. | BRKOB15114-16 |
Beschreibung
Thanks to its imaginative richness and sterling writing, Hoffmeister’s Double Bass Concerto "No. 1" has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glöckler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical "Viennese tuning." The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. “A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions.” (Rob Nairn in Bass World)