Wolfgang Amadeus Mozart: Hornkonzert Nr. 1 D-dur KV 412 (386b): Kammerensemble

Einzelstimme | Noten

KOMPONIST: Wolfgang Amadeus Mozart
PART {INSTRUMENT}: Violin
PRODUKTFORMAT: Einzelstimme
VERLAG: Breitkopf und Härtel
DEFINITIVE DURATION: 00:12:00
MINIMUM ORDER QUANTITY SALES: 5
The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozarts first horn concerto; it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph which contains the most important orchestral parts
6,50 €
incl. Steuern
Auf Bestellung
Gewöhnlich versandfertig in 7 Tagen
Dieses Produkt ist im Moment leider nicht verfügbar.
Not available in your region.
Spezifikationen
Komponist Wolfgang Amadeus Mozart
Herausgeber Robert D. Levin
Instrumentengruppe Kammerensemble
Instrumentierung Kammerensemble
Detaillierte Instrumentierung Horn Solo, 2 Oboes, 2 Bassoons and Strings
Part {Instrument} Violin
PRODUKTFORMAT Einzelstimme
PRODUKTTYP Einzelstimme
Serie Breitkopf Urtext Edition
Verlag Breitkopf und Härtel
Genre Klassik
Definitive Duration 00:12:00
SEITENZAHL 14
Minimum Order Quantity Sales 5
ISMN 9790004341124
Verlagsnummer OB 5557-16
NR. BRKOB5557-16
Beschreibung
The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozarts first horn concerto; it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph which contains the most important orchestral parts next to the entire solo horn part in order to adjust the work to the modest technical abilities of the planned soloist Joseph Leutgeb. Mozart revised and completed the first movement, eliminated lower notes in the solo part, rewrote difficult passages and expanded orchestral interludes to give Leutgeb additional breath rests. Mozart also made similar simplifications in the second movement as well, but his early death prevented the completion of the work. Robert D. Levin reconstructed both versions of the concerto on the basis of the autograph. Next to the version revised by Mozart (post correcturam), he now presents the original version (ante correcturam) for the first time in a musical text revised and supplemented according to rigorous philological criteria.
    Laden
    Laden