Wolfgang Amadeus Mozart: Flute Concerto In D K.314: (Arr. Martin Schelhaas): Orchester mit Solo

Wolfgang Amadeus Mozart: Flute Concerto In D K.314: (Arr. Martin Schelhaas): Orchester mit Solo

D major

KOMPONIST: Wolfgang Amadeus Mozart

PRODUKTFORMAT: Klavierauszug

VERLAG: Bärenreiter-Verlag

DEFINITIVE DURATION: 00:23:00

Concerto For Flute And Orchestra D major K. 314 (285d). Flute Solo, Oboe (2), Horn (2), Strings. Flute & Piano reduction. The New Mozart Edition offers researchers a musicologicallyunimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At

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Beschreibung

Details

Komponist	Wolfgang Amadeus Mozart
Arrangeur	Martin Schelhaas
Herausgeber	Rachel Brown
Instrumentengruppe	Orchester
Instrumentierung	Orchester mit Solo
Detaillierte Instrumentierung	Flöte und Orchester
PRODUKTFORMAT	Klavierauszug
PRODUKTTYP	Klavierauszug
Serie	Bärenreiter Urtext
Verlag	Bärenreiter-Verlag
Stil	Klassik
Definitive Duration	00:23:00
SEITENZAHL	86
ISMN	9790006506736
Verlagsnummer	BA4855-90
NR.	BA4855-90

Beschreibung

Concerto For Flute And Orchestra D major K. 314 (285d).

Flute Solo, Oboe (2), Horn (2), Strings.

Flute & Piano reduction.

The New Mozart Edition offers researchers a musicologicallyunimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.

BÄRENREITER URTEXT:

Inthe international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors whichincludeprominent musicologists as well as musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research.

For Bärenreiter,“Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians toget as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the mostdiscerning eye.