GRATIS STANDARDVERSAND AUF ALLE NOTENBESTELLUNGEN AB 35 €

Johann Nepomuk Hummel: Trompetenkonzert E-dur: Orchester mit Solo

Einzelstimme | Noten

Dieser Artikel hat eine Mindestbestellmenge
KOMPONIST: Johann Nepomuk Hummel
PART {INSTRUMENT}: Violin
PRODUKTFORMAT: Einzelstimme
VERLAG: Breitkopf und Härtel
MINIMUM ORDER QUANTITY SALES: 5
Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The
34,50 €
inkl. MwSt.
6,90 €
pro Stück
Auf Bestellung
Versandbereit in 7 Werktagen
Dieses Produkt ist im Moment leider nicht verfügbar.
Not available in your region.
Details
Komponist Johann Nepomuk Hummel
Herausgeber Michael Kube
Instrumentengruppe Orchester
Instrumentierung Orchester mit Solo
Detaillierte Instrumentierung Trompete und Orchester
Part {Instrument} Violin
PRODUKTFORMAT Einzelstimme
PRODUKTTYP Einzelstimme
Serie Breitkopf Urtext Edition
Verlag Breitkopf und Härtel
Genre Klassik
SEITENZAHL 14
Minimum Order Quantity Sales 5
ISMN 9790004340318
Verlagsnummer OB 15119-16
NR. BRKOB15119-16
Minimum Order Quantity Sales 5
Minimum Order Quantity Sales 5
Beschreibung
Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trumpet that could produce the chromatic tones of an entire scale a unique achievement at that time. The work features unmistakable allusions to Mozart and even has a literal quote from a Cherubini opera in the final movement. Today, Hummel's concerto, next to the Haydn piece, is considered as THE classical trumpet concerto. It is no doubt thanks to this unique status that the work has been available in a transposition to E flat major since 1957, a version that better suits the B flat trumpet widely used today. The Urtext edition respects this performance-practical aspect: The piano reduction as well as the study score contain both versions. The score and orchestral parts can be obtained in two different editions."While this being one of the few urtext, it may be the only edition published in both the original tonality of E major and the often-preferred key of E-flat major. Additionally, the edition contains some interesting insights on the concerto and keyed trumpet." (Luis C. Engelke, Music Reviews Editor)
Laden
Laden