Johann Baptist Vanhal: Konzert für Kontrabass und Orchester: Orchester mit Solo

Einzelstimme | Noten

KOMPONIST: Johann Baptist Vanhal
PART {INSTRUMENT}: Cembalo
PRODUKTFORMAT: Einzelstimme
VERLAG: Breitkopf und Härtel
The unbroken popularity of Vanhal’s sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glöckler’s experience of many years. As with the other great double-bass concertos of
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Spezifikationen
Komponist Johann Baptist Vanhal
Herausgeber Tobias Glöckler
Instrumentengruppe Orchester
Instrumentierung Orchester mit Solo
Detaillierte Instrumentierung Double Bass and Orchestra
Part {Instrument} Cembalo
PRODUKTFORMAT Einzelstimme
PRODUKTTYP Einzelstimme
Serie Breitkopf Urtext Edition
Verlag Breitkopf und Härtel
Genre Klassik
ERSCHEINUNGSJAHR 2016
SEITENZAHL 12
ISMN 9790004342169
Verlagsnummer OB 15143-12
NR. BRKOB15143-12
Beschreibung
The unbroken popularity of Vanhal’s sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits from Tobias Glöckler’s experience of many years. As with the other great double-bass concertos of the classical Viennese repertoire (Dittersdorf, Hoffmeister), Glöckler arrives at convincing solutions. He began by filtering out a solid musical text from the source (which was not always free of contradictions) that was supplied with many additions. The disposition of the solo part required detailed knowledge of performance practice, since the work was written in the historical Viennese double bass tuning, and a few passages cannot be played without difficulty on a modern instrument. As with Dittersdorf and Hoffmeister, the piano reduction makes it possible to use three different double-bass tunings (solo, orchestral and Viennese). Moreover, it contains the editor’s virtuoso cadenzas as well. “I have performed the Vanhal in Viennese tuning and it was my thesis topic so I am thrilled to see an edition that makes this tuning so accessible. I highly recommend this all-encompassing edition.” (Marian Heckenburg, Stringendo)
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