.png)
www.musicroom.com
www.musicroom.fr
Hans Eisler: HEGA Serie IV Band 7: Kammerensemble
Nonette
KOMPONIST:
Hans Eisler
PRODUKTFORMAT:
Einzelstimme
VERLAG:
Breitkopf und Härtel
In Hanns Eislers work catalogue, the Nonet is not a rigidly determined chamber-music genre. The three works for nine instruments in the present volume are based on film scores that Eisler wrote in the United States. The Nonet No. 1 is practically identical to the brief film music to The Living Land
Spezifikationen
| Komponist | Hans Eisler |
| Herausgeber | Thomas Ahrend |
| Instrumentengruppe | Kammerensemble |
| Instrumentierung | Kammerensemble |
| Detaillierte Instrumentierung | Chamber Ensemble |
| PRODUKTFORMAT | Einzelstimme |
| PRODUKTTYP | Buch Gebunden |
| Verlag | Breitkopf und Härtel |
| Genre | Klassik |
| SEITENZAHL | 244 |
| ISMN | 9790004802908 |
| Verlagsnummer | SON 507 |
| NR. | BRKSON507 |
Beschreibung
In Hanns Eislers work catalogue, the Nonet is not a rigidly determined chamber-music genre. The three works for nine instruments in the present volume are based on film scores that Eisler wrote in the United States. The Nonet No. 1 is practically identical to the brief film music to The Living Land (1939); the Suite for Nine Instruments and the Nonet No. 2 were derived from the documentary film The Forgotten Village (1941). In the Nonet No. 1 , Eisler borrows the twelve-tone technique of his teacher Schoenberg and handles it with for his standards surprising consistency. As to the lengthier music to The Forgotten Village , Eisler arranged various pieces from it while still in the U.S. (= Suite ) as well as after his return to Europe (= Nonet No. 2 ).