Giovanni Battista Pergolesi: Septem verba a Christo in cruce moriente prolata: Orchester mit Gesang
Einzelstimme | Noten
KOMPONIST:
Giovanni Battista Pergolesi
PART {INSTRUMENT}:
Cello
PRODUKTFORMAT:
Einzelstimme
VERLAG:
Breitkopf und Härtel
MINIMUM ORDER QUANTITY SALES:
3
Hermann Scherchen, who was the first to take up the cause of the one-hour-plus long, colorfully scored work, came to the conclusion: One of the most heartfelt works of art, full of gentleness and profound sensitivity. Since 1936, when two manuscripts of monastic provenance were discovered, musical
Spezifikationen
Komponist | Giovanni Battista Pergolesi |
Herausgeber | Reinhard Fehling |
Instrumentengruppe | Orchester |
Instrumentierung | Orchester mit Gesang |
Detaillierte Instrumentierung | Vocal Soloists and Orchestra |
Part {Instrument} | Cello |
PRODUKTFORMAT | Einzelstimme |
PRODUKTTYP | Einzelstimme |
Serie | Breitkopf Urtext Edition |
Verlag | Breitkopf und Härtel |
Epoche | Baroque |
SEITENZAHL | 32 |
Minimum Order Quantity Sales | 3 |
ISMN | 9790004341216 |
Verlagsnummer | OB 5533-23 |
NR. | BRKOB5533-23 |
Beschreibung
Hermann Scherchen, who was the first to take up the cause of the one-hour-plus long, colorfully scored work, came to the conclusion: One of the most heartfelt works of art, full of gentleness and profound sensitivity. Since 1936, when two manuscripts of monastic provenance were discovered, musical scholars have been asking themselves whether the Septem verba is authentic or solely attributable to Sig. Pergolese. It is only thanks to the scholarly comparison of all manuscripts and to the discovery of two new sources which impressively confirm the existence of an active reception of this work in the mid 18th century, that the authorship and transmission can be newly evaluated.