GRATIS STANDARDVERSAND AUF ALLE NOTENBESTELLUNGEN AB 35 €

George Nicholson: Far Cry: Altsaxophon mit Begleitung

Partitur und Stimmen | Noten

KOMPONIST: George Nicholson
PRODUKTFORMAT: Partitur und Stimmen
VERLAG: University Of York Music Press
Far Cry for Alto Saxophone and Piano. Composed 2014-5, published 2016. Duration: about 17 minutes. The composition of Far Cry arose in the first instance from a desire to write a really substantial and searching work for Anthony Brown and Leo Nicholson. But the piece was also stimulated by my
36,35 €
inkl. MwSt.
Auf Bestellung
Lieferzeit unbekannt
Dieses Produkt ist im Moment leider nicht verfügbar.
Not available in your region.
Details
Komponist George Nicholson
Instrumentengruppe Saxophon
Instrumentierung Altsaxophon mit Begleitung
Detaillierte Instrumentierung Altsaxophon und Klavier
PRODUKTFORMAT Partitur und Stimmen
PRODUKTTYP Partitur und Stimmen
Verlag University Of York Music Press
Epoche Post 1901
ISMN 9790570367054
Verlagsnummer M570367054
NR. MUSM570367054
Beschreibung

Far Cry for Alto Saxophone and Piano.
Composed 2014-5, published 2016.
Duration: about 17 minutes.

The composition of Far Cry arose in the first instance from a desire to write a really substantial and searching work for Anthony Brown and Leo Nicholson. But the piece was also stimulated by my experience of the Neolithic sites created by the people of Orkney around five thousand years ago. The excavations taking place on the Ness of Brodgar are revealing evidence of a highly sophisticated community with astonishingly advanced building technologies and, implicitly, a highly developed social network system to match. The larger edificesinclude the stone circles at Brodgar and Stenness as well as numerous chambered cairns, the most celebrated of which is Maeshowe. No doubt these artificially created (and mostly sacred) spaces afforded an uncommon acoustic experience for the people of the time, and quite possibly they would have employed resonance and the properties of standing waves in their rituals to create heightened states of mind.

At the beginning of Far Cry the Piano assumes the role of passive resonator, but as time goes on it contributes more and more to the musical argument and stimulates the Saxophone to ever greater flights of fancy and passion. - George Nicholson

Laden
Laden