Franz Anton Hoffmeister: Kontrabasskonzert Nr. 1 D-dur: Orchester mit Solo

Basso (Vc/Kb)

KOMPONIST: Franz Anton Hoffmeister
PART {INSTRUMENT}: Cello / Contra Bass
PRODUKTFORMAT: Einzelstimme
VERLAG: Breitkopf und Härtel
DEFINITIVE DURATION: 00:18:00
Thanks to its imaginative richness and sterling writing, Hoffmeister’s Double Bass Concerto "No. 1" has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias
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Spezifikationen
Komponist Franz Anton Hoffmeister
Herausgeber Tobias Glöckler
Instrumentengruppe Orchester
Instrumentierung Orchester mit Solo
Detaillierte Instrumentierung Contrabass and Orchestra
Part {Instrument} Cello / Contra Bass
PRODUKTFORMAT Einzelstimme
PRODUKTTYP Einzelstimme
Serie Breitkopf Urtext Edition
Verlag Breitkopf und Härtel
Genre Klassik
Definitive Duration 00:18:00
SEITENZAHL 8
ISMN 9790004339817
Verlagsnummer OB 15114-26
NR. BRKOB15114-26
Beschreibung
Thanks to its imaginative richness and sterling writing, Hoffmeister’s Double Bass Concerto "No. 1" has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glöckler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical "Viennese tuning." The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. “A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions.” (Rob Nairn in Bass World)
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